About American Indiana Symbols and Picture Writing.

About American Indiana Symbols and Picture Writing.

    The Indians did not know how to write words by means of letters. There were, however, many things which they wished to remember, and they had found out several ways in which to record these.

Thus among the Sacs and Foxes there is a long legend with songs telling about their great teacher, the good, wise, and kind Wisuka. It is difficult to remember exactly such long narratives, but with objects to remind the reciter of each part, it is not so hard. So the persons who are to repeat the legend have a micäm. This is a wooden box, usually kept carefully wrapped up in a piece of buckskin and tied with a leathern thong; in it are a variety of curious objects, each one of which reminds the singer or reciter of one part of the narrative. Thus he is sure not to leave out any part. In the same way mystery men among other Algonkin tribes have pieces of birch bark upon which they scratch rude pictures, each of which reminds them of the first words of the different verses in their songs. Such reminders are great helps to the memory. Among the Iroquois and some eastern Algonkins, they used, as we shall see, wampum belts to help remember the details of treaties or of important events.

Among many tribes pictures were used for recording matters of importance. Many Sioux chiefs have written the story of their life in pictures. They took several large sheets of paper and gummed the edges together so as to make one long strip. Upon this they made pictures representing the important incidents in their lives. Thus in one picture was shown where, as a boy, the artist shot his first deer; in another was represented his first hunting party; in another, how he went on the war-path to gain the name of brave; in another, where he danced the sun dance; again, how he went to Washington to see the white men's officers, on business.

The most important record made by the Sioux is the Dakota Calendar. More than a century ago a Sioux Indian determined to keep a count of the years and of their happenings. So he began a record which was called a “winter count,” where the events of the different years were shown by pictures. His idea became popular, and a number of these winter counts were begun by other Indians. The most important of these is one which has been called the Dakota Calendar. It belonged for a long time to an Indian named Lone Dog. The one he had was a copy on cloth from a still older one, which had been made upon a buffalo skin. This count appears to have begun about the year 1800.

The Dakota Calendar. (After Mallery.)

Each year its maker selected some important event, by which the year was to be remembered, and made a picture for it. The first five or six pictures run in a nearly straight line to the left; the line of pictures then coils around and around this, the last picture always being added to the end of the coiled line. The pictures are in black and red, and while rudely drawn, most of them can be easily recognized. In 1801 the Sioux had a terrible attack of smallpox, and many of them died; the picture for the year is a man covered with red spots. Whooping-cough is a disease of which white people have little fear, but it is sometimes very destructive to Indians; in 1813 it was among the Sioux, and the picture for that year was a man coughing, as shown by lines diverging from in front of his mouth. In 1840 the Sioux made a treaty of peace with the Cheyennes; the picture shows two hands extended for a friendly grasp. In 1869 there was a total eclipse of the sun, which is represented by a blackened sun and two stars in red: “The stars were seen in the daytime.” In 1833 was the famous display of meteors or falling stars, which was witnessed in all parts of the United States, causing great excitement; many white people believed that it portended the destruction of the world. This star shower was noticed by the Sioux keeper of the winter count, and is represented by a black moon and a lot of red stars represented as falling. You can pick out these different figures in the picture, which represents Lone Dog's winter count, or the Dakota Calendar as it would look on a buffalo hide.

Indian Letter on Birch Bark. (From Schoolcraft.)

Probably you have all seen pictures of a birch-bark letter written many years ago by an Ojibwa Indian. It was written by one of Schoolcraft's guides. Mr. Schoolcraft, with a party of assistants and soldiers, was on a journey of exploration in the Northwest. One morning as they were leaving camp, Schoolcraft saw an Indian putting a bit of birch bark, upon which he had drawn some pictures in black, into a cleft at the end of a pole. This pole was then stuck slantingly into the ground and three notches were cut in it. When Mr. Schoolcraft asked his guide for an explanation, he said this letter would inform any Ojibwa Indians who might pass, about their party. The eagle in the upper corner showed that they were from Washington—government people. The other pictures showed that there were eight common soldiers each with a gun; that there were six officers, the duty of each being indicated by something carried in the hand,—the captain by his sword, the secretary by his book, the geologist by his hammer, etc.; that soldiers and officers were white men, as shown by their wearing hats; that there were two guides, Indians, as shown by their having no hats and carrying spears; that the night before there were three fires in the camp, soldiers, officers, and guides, camping separately; that during the day there had been secured a prairie hen and a turtle, both of which had been taken by the officers for supper. But other facts were shown besides those told in the pictures. The pole stuck into the ground pointed the direction in which the party would journey; the three notches on the pole told that they would journey in that direction three days.

Of all American Indians those who went farthest in the direction of developing writing were some of those living in Mexico and Central America. The Aztecs had an extensive system of picture writing. By means of pictures they recorded their traditional history and gave full directions regarding the worship of the gods. They had real books written with these pictures. These books were written sometimes on skin, sometimes on paper. The Aztecs made two kinds of paper, one of the soft inner bark of a tree, the other from the maguey plant. The latter sort was beaten out of the mass of leaf fibres after they had been soaked in water. The maguey plant is much like the century plant which you have seen in parks and greenhouses. The paper or dressed skin was made into long narrow strips many feet in length. These strips were folded back and forth like a screen, and the ends were fastened to two thin boards which served as covers for the book. Sometimes bits of polished green stone were inlaid into these covers to make them pretty. Some of these old books are still in existence, though most of them have long been destroyed. We cannot read any of them very well because pictures are uncertain means of conveying information. Still we can tell something about their meaning.

Page of Aztec Book. (From Photograph.)

Charles V, to know about them, and ordered three skilled painters of the Aztecs to prepare a book to be sent to the Emperor. Each artist took a different subject, so the book ]consists of three parts. The first gives a picture-written story of the Aztecs from the time when they began their wanderings; the second gives a list of the towns that paid tribute to the city of Mexico and a statement of the kind and amount of tribute each paid; the third shows how children were trained, how they were punished when they were naughty, and what kind of work they were taught. Of course the Emperor would not understand the meaning of all these queer pictures, far different from anything he had ever seen; so Mendoza had an explanation or translation written with all the pictures. This is as fortunate for us as it was for the Emperor: in this way we can learn something about the use and meaning of these characters.

About Native American Burials And Graves

About Native American Burials And Graves

Almost all savage and barbarous peoples look upon death as due to bad spirits, to witchcraft, or to violence. They cannot realize that men should die of old age. Disease is generally thought to be due to bad spirits or to the influence of some medicine man.

After a man dies there are many ways of treating the body. Usually the face is painted almost as if the person were preparing for a feast or a dance. The Otoes and many other tribes dress out the body in its choicest clothing and finest ornaments.

Probably burial in the ground is the commonest way of disposing of the dead body. The exact method varies. The grave may be deep, or it may be so shallow as hardly to be a grave at all. The body may be laid in extended to its full length, or it may be bent and folded together into the smallest possible space, and tied securely in this way. Great attention is frequently given to the direction toward which the face or the body is turned. Among some tribes it makes no difference whether the earth touches the body; in others the greatest care is taken to prevent this.

The Sacs and Foxes in Iowa have their graveyards on the side of a hill, high above the surrounding country. The graves are shallow; the body, wrapped in blankets, is laid out at full length; little, if any, earth is thrown directly upon the body, but a little arched covering made of poles laid side by side, lengthwise of the body, is built over it, and a little earth may be thrown upon it. A pole is set at the head of the grave to the top of which is hung a bit of rag or a little cloth, the flapping of which, perhaps, keeps off bad spirits. Various objects are laid upon the grave: for men, bottles, and perhaps knives; for women, buckets and pans, such as are used in their daily work; for little children, the baby-boards on which they used to lie, and the little toys of which they were fond.

Sometimes grave-boxes were made of slabs of stone. Such are known in various parts of the United States, but are most common in Tennessee, where ancient cemeteries, with hundreds of such graves, are known. (See Mounds and their Builders.) Sometimes the bodies of those lately dead were buried in these, but sometimes there were placed in them the dry bones of people ]long dead, who had been buried elsewhere, or whose bodies had been exposed for a time on scaffolds or in dead-houses. Among several northeastern tribes it was the custom to place the bodies for some time in dead-houses, or temporary graves, and at certain times to collect together all the bones, and bury them at once in some great trench or hole.

Most tribes buried objects with the dead. With a man were buried his bow and arrows, war-club, and choicest treasures. The woman was accompanied by her ornaments, tools, and utensils. Even the child had with it its little toys and cradle, as we have seen in connection with the Sacs and Foxes. The Indians believed that people have souls which live somewhere after the men die. These souls hereafter delight to do the same things the men did here. There they hunt, and fish, and war, work and play, eat and drink. So weapons and tools, food and drink, were placed with the body in the grave.

They knew perfectly well that the things do not go away; they believed, however, that things have souls, as men do, and that it is the soul of the things that goes with the soul of the man into the land of spirits. Among tribes that are great horsemen, like the Comanches, a man's ponies are killed at his death. His favorite horse, decked out in all his trappings, is killed at the grave, so that the master may go properly mounted. When a little child among the Sacs and Foxes dies, a little dog is killed at the grave to accompany the child soul, and help the poor little one to find its way to the spirit world. Such destruction or burial of property may be very nice for the dead man's soul, but it is not nice for the man's survivors, who are sometimes quite beggared by it.

Sometimes the objects put into or upon a grave are broken, pierced, or bent. The purpose in thus making the objects “dead” has sometimes been said to be to set free the soul of the object; far more frequently, it is likely that it is to prevent bad persons robbing the grave for its treasures.

Cremation or burning the dead body was found among a number of Indian tribes, particularly upon the Pacific Coast. The Senel in California and some Oregon tribes are among these. So are the Tlingit of Alaska and their near neighbors and kin, the Haida of Queen Charlotte Islands. Among the last two tribes all but the Shamans were usually burned. The Shamans were buried in boxes raised on tall posts. After a Tlingit or Haida body was burned the ashes were usually gathered and placed in a little box-like cavity excavated in an upright post near its base; at the top of this post was a cross-board on which was carved or painted the totem or crest of the dead man.

Where there were great caves (as in Kentucky), and where the people dwelt in caverns (as at one time in the Southwest), the dead were often laid away in some corner of the cave. In almost all such cases the body was folded into the smallest space, with the knees drawn up against the chin; it was then wrapped up in blankets and robes and corded. Such bodies were generally not buried, but simply stowed away. These dried bodies are sometimes called “mummies,” but that name should only be used when something has been done to the body with the definite purpose of preserving it.

Scaffold Burial. (After Yarrow.)

Mention has already been made of box burial in connection with the Tlingit and Haida Shamans. Many Eskimos bury their dead in boxes supported on posts. The weapons, tools, and utensils of the dead are usually stuck upon the posts or hung over the boxes. The Ponkas also bury in raised boxes, and at their present reservation in Oklahoma there are two extensive cemeteries of this kind.

Among some tribes in the extreme northwestern part of the United States canoes are used instead of boxes. They are supported above ground by posts. Usually two canoes are used; the body is placed in the lower, larger one; the smaller one is turned upside down over the corpse and fits within the larger. In the Mississippi and Missouri valley region many Siouan tribes placed their dead upon scaffolds, supported by poles at a height of six or eight feet in the air. Extensive cemeteries of this kind used to occupy high points overlooking the rivers; they could be seen—dreary sights—a long way across the country. Some tribes in wooded districts placed the dead in trees. Often scaffold and tree burial were only temporary, the body being later taken elsewhere for permanent burial. One time, visiting a winter camp of the Sacs and Foxes, far from their permanent village, we saw a strange bundle in a tree. It was the blanketed corpse of an old woman who had died a few days before; the party took it with them when they returned home in the spring.

We should find some of the mourning customs interesting. The friends of the dead wail and scream fearfully; they cut off their hair; they gash their bodies; they sometimes even chop off their finger tips or whole joints. They watch by the grave—this is particularly true of women. Food and drink are often carried to the grave for some time after the burial. Fires are kindled to supply light or heat to the soul on its long journey.

Ojibwa Gravepost. (From Schoolcraft.)

Not many tribes have special posts or marks at the grave. A few do. The Ojibwa made such with much care. Usually they bore pictures or marks telling about the dead man. His totem animal was often represented, usually upside down to indicate that the bearer of the emblem was dead.

H. C. Yarrow.—Army physician, ethnologist. Wrote, among other papers, A Further Contribution to the Study of the Mortuary Customs of the North American Indians.

Ojibwa Indian Girls Photographed in Ontario and Manitoba Canada

Ojibwa Indian Girls Photographed in Ontario and Manitoba Canada

Ojibwa girl photographed in Ontario in 1915

Ojibwa girl with her grandmother photographed in Manitoba, Canada in the 1930s

Ojibwa Indian Women's Dress and Bead Work

Ojibwa Indian Women's Dress and Bead Work

Little is known about this woman who is believed to be Ojibwa. These photos date to about 1920

The bead work on the purse is believed to be Algonquin.

Ojibwa Indian's Wigwam Houses, Photograph, Gallery

Ojibwa Indian's Wigwam Houses, Photograph, Gallery

Ojibwa Indian Family Photographed in Front of Their Wigwam, Michigan-1908

Ojibwa Indians Wigwam in Northern Wisconsin, 1908

Winter photo of an Ojibwa Family in Front of their fur Covered Wigwam. Photo Believed to have been taken in Wisconsin around 1915

Ojibwa Indian's Photograph Taken in Fron of Their Wigwam in 1908, near Waterstreet Michigan in 1908

Ojibwa Indians Life and Culture Photographic Gallery

Ojibwa Indians Life and Culture Photographic Gallery

Ojibwa Indian Girls in the Forest

Older Ojibwa Male Wearing Dress for War

Ojibwa Indians Playing a Moccasin Game

Ojibwa Indians Photographed in Michigan

Ojibwa Indian Girl in Beaded Costume

Ojibwa Indian Chief Photographed in a Rabbit Skin Robe

Ojibwa Indians Stretching a Deer Hide

Ojibwa Indian Village

Ojibwa Indian House

Ojibwa Indian Woman Collecting Maple Syrup

Ojibwa Indian Women Putting Maple Syrup in Birch Bark Containers

Male Ojibwa Indian in Ceremonial Dress

American Indian (houses) or Lodges of Bark or Mats

American Indian (houses) or Lodges of Bark or Mats.

Ojibwa indians bark and matt house. This type of house was common to the algonquin tribes

The Omaha sometimes make bark lodges for summer occupancy, as did the Iowa and Sak. [T]iu′ȼipu jiñ′ga, or low lodges covered with mats, were used by the Omaha in former days. Such lodges are still common among the Winnebago, the Osage, and other tribes. The ground plan of such a lodge forms an ellipse. The height is hardly over 7 feet from the ground. The tent poles are arranged thus: Each pole has one end planted in the ground, the other end being bent down and fastened to the pole immediately opposite; a number of poles thus arranged in pairs formed both wall posts and rafters.

Fig. 307.—Ground plan of Osage lodge.

Generally there was one fireplace and one smokehole in such a lodge; but when I visited the Osage in 1883, I entered a low lodge with two fireplaces, each equidistant from its end of the lodge and the entrance, each fireplace having its smokehole.

Kansa Sioux Indian lodge of matts and bark.

About Ojibwa Indian Houses

About Ojibwa Indian Houses

Ojibwa Indian Wigwam House


Among the Indian tribes in the Lower Status of barbarism some diversity existed in the plans of the lodge and house. Fig. 7, which is taken from Schoolcraft's work on the Indian tribes, shows the frame of an Ojibwa cabin or lodge of the best class, as it may still be seen on the south shore of Lake Superior. Its mechanism is sufficiently shown by the frame of elastic poles exhibited by the figure. It is covered with bark, usually canoe birch, taken off in large pieces and attached with splints. Its size on the ground varied from ten to sixteen feet, and its height from six to ten. Twigs of spruce or hemlock were strewn around the border of the lodge on the ground floor, upon which blankets and skins were spread for beds. The fire-pit was in the center of the floor, over which, in the center of the roof, was an opening for the exit of the smoke. Such a lodge would accommodate, in the aboriginal plan of living, two and sometimes three married pairs with their children. Several such lodges were usually found in a cluster, and the several households consisted of related families, the principal portion being of the same gens or clan. I am not able to state whether or not the households thus united by the bond of kin practiced communism in living in ancient times, but it seems probable. Carver, who visited an Ojibwa village in Wisconsin in 1767, makes it appear that each house was occupied by several families. "This town," he remarks, "contains about forty houses, and can send out upwards of a hundred warriors, many of whom are fine young men." This would give, by the usual rule of computation, five hundred persons, and an average of twelve persons to a house

About the Blackfoot Indian Tribe

About the Blackfoot Indian Tribe

Algonquin tribes occupied the Atlantic seacoast from Nova Scotia and New Brunswick south to Virginia, and stretched west as far, at places, as the Rocky Mountains. They also occupied a large area in the interior of British America north of the Great Lakes. Brinton names more than thirty tribes of this great group. Among the best known of these were the Lenape (Delawares), Blackfeet, Ojibwas, and Crees.

It was chiefly Algonkin tribes with whom the first white settlers met. The Indians who supplied the Pilgrims with corn in that first dreadful winter were Algonquins; so were Powhatan and Pocahontas, King Philip and Massasoit. Of course whites came into contact with the Iroquois in New York, and with the Cherokees, the Creeks, and their kin in the south, but much the larger part of their early Indian acquaintance was Algonquin.

There are a number of borrowed Indian words in our English language of today. Wigwam, wampum, squaw, papoose, moccasin, are examples. These have been taken from the Indian languages into our own, and most of them—all of those mentioned—are Algonkin. They soon became common to English speakers, and
 were carried by them everywhere they went. All the western tribes had their own names for all these objects, but we have forced these upon them, and to-day we may hear Utes speak of wigwams and Navajo talk about squaws or moccasins.

We shall speak of two Algonquin tribes. One—the Lenape—is eastern; the other—the Blackfeet—is western. The former are woodland, the latter Plains Indians. The Lenape lived in settled villages, and had a good deal of agriculture; they were also hunters, fishermen, and warriors. Their houses were like those of their Iroquois neighbors, but each family had its own. They were huts of poles and interwoven branches with a thatching of corn leaves, the stalk of sweet-flag, or the bark of trees. Sometimes at the center of the village, surrounded by the houses, was a sort of hillock or mound from which the country around might be overlooked. The women made good garments of deerskin with skillful beadwork. In cooking they used soapstone vessels. For pounding corn they had mortars of wood, dug out of a section of a tree trunk, and long stone pestles.
In districts where the wild rice or zizania grew abundantly great quantities of it were gathered. The women in canoes paddled out among the plants, bent the heads over the edge of the canoe and beat out the grain. This was a food supply of no importance to the Lenape, but the Ojibwas and their neighbors used much of it.  There were three totems of the Lenape. Every man was either a wolf, turkey, or turtle. He had one of these three animals for his emblem, and was as fond of drawing or carving it as a boy among us is of writing his name. This emblem was signed to treaties, it was painted on the houses, it was carved on stones. But only those who were turtles drew their totem entire; usually the wolf or the turkey were represented only by one foot. Between a person and his totem there was a curious friendship, and it was believed that the animal was a sort of protector and friend of those who bore his name. All who had the same totem were blood-relations.

All Algonquins were accustomed to draw pictures to record events. The blankets of chiefs were decorated with such pictures. The Ojibwas were fond of writing birch-bark letters. One of the most interesting Indian records known is the Walam olum; this means the red score or red record. Probably it at first consisted of a lot of little sticks or boards with some quaint red pictures upon them. These were probably kept tied together into a little bundle. The original sticks have long been lost, but the one hundred and eighty-four pictures were copied and are still
preserved. They were intended to assist in remembering a long poetic legend in which the Algonquin ideas regarding the creation of the world and their tribal history were told.

At first everything was good. Animals and men lived in peace. Then a wicked serpent tried to drown the world. Only a few persons escaped to the back of a great turtle. Their great hero Nanabush helped them. The waters subsided. As the land where they now found themselves was cold, the people determined to move southward. The story of their quarrels and divisions on the journey is told, and also the way in which they seized their new home, destroying or driving out the original owners.

The song in which this story is told is long and full of old words difficult to understand. The Indians themselves must have had difficulty in remembering it. It was a great help to have these little sticks with the red pictures to remind them of its different parts.

Far to the west, close against the base of the Rocky Mountains, lived a famous Algonquin tribe—the Blackfeet. They were great buffalo hunters and warriors. We often think of Indians as being stern and morose, never smiling, never amused. Yet most tribes had sunny tempers like children. Mr. Grinnell, to show this side of Indian nature, describes a day in camp in the olden, happy time. Two parts of his description describe feasts and gambling. Feasts were in constant progress: sometimes one man would give three in a day; men who were favorites might go from feast to feast all day long. If a man wished to give a feast, he ordered the best food he had to be cooked. Then, going outside, he called out the list of invited guests: the name of each one was cried three times. At the close of his invitation he announced how many pipes would be smoked: usually three. When the guests came, each was given a dish, with his share of the food; no one might have a second help, but it was quite polite to carry away what was not eaten.

While the guests were feasting, the man of the house prepared a pipe and tobacco. After the eating was over, the pipe was lighted and passed from hand to hand, each person giving it to the one on his left. Meantime stories of hunting and war were narrated and jokes cracked. Only one man spoke at one time, the rest listening until he was through. Thus they whiled away the time until the last pipe was smoked out, when the host, knocking the ashes from the pipe, told them they might go.

All Indians are gamblers, and they have many gambling games. The Blackfeet played one which was something like the famous game of Chunkey, played among the Creeks. (S) A wheel about four inches in diameter with five spokes on which were beads of different colors, made of horn or bone, was used. It was rolled
 along upon a smooth piece of ground at the ends of which logs were laid to stop it. One player stood at each end of the course. After a player set the wheel to rolling, he hurled a dart after it. This was done just before the wheel reached the end of its journey. Points were counted according to the way in which the wheel and dart fell with reference to each other. Ten counts made the game. This game always attracted great crowds of spectators, who became greatly excited and bet heavily on the result.

At night about their camp-fires the Blackfeet delighted to tell their sacred stories, which they did not dare repeat in daylight. In telling a story of personal adventure, Indians, like white people, were often tempted to make it larger than it really was.

The Blackfeet and some other Indians had the following mode of getting at the truth. When a man told an improbable story some one handed a pipe to the medicine man, who painted the stem red and prayed over it, asking that the man's life might be long if his story were true, but cut short if the story were false. The pipe was then filled and lighted and given to the man. The medicine man said, as he handed it to him: “Accept this pipe, but remember that if you smoke, your story must be as sure as that there is a hole through this pipe and as straight as the hole through this stem. So your life shall be long and you shall survive; but if you have spoken falsely, your days are counted.” If he refused to smoke, as he surely would if he had not spoken true things, every one knew that he was a braggart and a liar.

Daniel Garrison Brinton.—Physician, anthropologist. Has written many books, mostly about American Indians. The Lenape and their Legends, in which the Walam olum is given in full, is a volume in his Library of Aboriginal American Literature.

Native American Burials and Graves Illustrated

Native American Burials and Graves Illustrated

Almost all savage and barbarous peoples look upon death as due to bad spirits, to witchcraft, or to violence. They cannot realize that men should die of old age. Disease is generally thought to be due to bad spirits or to the influence of some medicine man.

After a man dies there are many ways of treating the body. Usually the face is painted almost as if the person were preparing for a feast or a dance. The Otoes and many other tribes dress out the body in its choicest clothing and finest ornaments.

Probable burial in the ground is the commonest way of disposing of the dead body. The exact method varies. The grave may be deep, or it may be so shallow as hardly to be a grave at all. The body may be laid in extended to its full length, or it may be bent and folded together

into the smallest possible space, and tied securely in this way. Great attention is frequently given to the direction toward which the face or the body is turned. Among some tribes it makes no difference whether the earth touches the body; in others the greatest care is taken to prevent this.

The Sacs and Foxes in Iowa have their graveyards on the side of a hill, high above the surrounding country. The graves are shallow; the body, wrapped in blankets, is laid out at full length; little, if any, earth is thrown directly upon the body, but a little arched covering made of poles laid side by side, lengthwise of the body, is built over it, and a little earth may be thrown upon it. A pole is set at the head of the grave to the top of which is hung a bit of rag or a little cloth, the flapping of which, perhaps, keeps off bad spirits. Various objects are laid upon the grave: for men, bottles, and perhaps knives; for women, buckets and pans, such as are used in their daily work; for little children, the baby-boards on which they used to lie, and the little toys of which they were fond.

Sometimes grave-boxes were made of slabs of stone. Such are known in various parts of the United States, but are most common in Tennessee, where ancient cemeteries, with hundreds of such graves, are known. (See XV. Mounds and their Builders.) Sometimes the bodies of those lately dead were buried in these, but sometimes there were placed in them the dry bones of people

long dead, who had been buried elsewhere, or whose bodies had been exposed for a time on scaffolds or in dead-houses. Among several northeastern tribes it was the custom to place the bodies for some time in dead-houses, or temporary graves, and at certain times to collect together all the bones, and bury them at once in some great trench or hole.

Most tribes buried objects with the dead. With a man were buried his bow and arrows, war-club, and choicest treasures. The woman was accompanied by her ornaments, tools, and utensils. Even the child had with it its little toys and cradle, as we have seen in connection with the Sacs and Foxes. The Indians believed that people have souls which live somewhere after the men die. These souls hereafter delight to do the same things the men did here. There they hunt, and fish, and war, work and play, eat and drink. So weapons and tools, food and drink, were placed with the body in the grave.

They knew perfectly well that the things do not go away; they believed, however, that things have souls, as men do, and that it is the soul of the things that goes with the soul of the man into the land of spirits. Among tribes that are great horsemen, like the Comanches, a man's ponies are killed at his death. His favorite horse, decked out in all his trappings, is killed at the grave, so that the master may go properly mounted. When a little child among the Sacs and Foxes dies, a
]little dog is killed at the grave to accompany the child soul, and help the poor little one to find its way to the spirit world. Such destruction or burial of property may be very nice for the dead man's soul, but it is not nice for the man's survivors, who are sometimes quite beggared by it.

Sometimes the objects put into or upon a grave are broken, pierced, or bent. The purpose in thus making the objects “dead” has sometimes been said to be to set free the soul of the object; far more frequently, it is likely that it is to prevent bad persons robbing the grave for its treasures.

Cremation or burning the dead body was found among a number of Indian tribes, particularly upon the Pacific Coast. The Senel in California and some Oregon tribes are among these. So are the Tlingit of Alaska and their near neighbors and kin, the Haida of Queen Charlotte Islands. Among the last two tribes all but the Shamans were usually burned. The Shamans were buried in boxes raised on tall posts. After a Tlingit or Haida body was burned the ashes were usually gathered and placed in a little box-like cavity excavated in an upright post near its base; at the top of this post was a cross-board on which was carved or painted the totem or crest of the dead man.
Where there were great caves (as in Kentucky), and where the people dwelt in caverns (as at one time in the Southwest), the dead were often laid away in some corner of the cave. In almost all such cases the body was folded into the smallest space, with the knees drawn up against the chin; it was then wrapped up in blankets and robes and corded. Such bodies were generally not buried, but simply stowed away. These dried bodies are sometimes called “mummies,” but that name should only be used when something has been done to the body with the definite purpose of preserving it.

Scaffold Burial. 

Mention has already been made of box burial in connection with the Tlingit and Haida Shamans. Many Eskimos bury their dead in boxes supported on posts. The weapons, tools, and utensils of the dead are usually stuck upon the posts or hung over the boxes. The Ponkas also bury in  raised boxes, and at their present reservation in Oklahoma there are two extensive cemeteries of this kind.

Among some tribes in the extreme northwestern part of the United States canoes are used instead of boxes. They are supported above ground by posts. Usually two canoes are used; the body is placed in the lower, larger one; the smaller one is turned upside down over the corpse and fits within the larger. In the Mississippi and Missouri valley region many Siouan tribes placed their dead upon scaffolds, supported by poles at a height of six or eight feet in the air. Extensive cemeteries of this kind used to occupy high points overlooking the rivers; they could be seen—dreary sights—a long way across the country. Some tribes in wooded districts placed the dead in trees. Often scaffold and tree burial were only temporary, the body being later taken elsewhere for permanent burial. One time, visiting a winter camp of the Sacs and Foxes, far from their permanent village, we saw a strange bundle in a tree. It was the blanketed corpse of an old woman who had died a few days before; the party took it with them when they returned home in the spring.

We should find some of the mourning customs interesting. The friends of the dead wail and scream fearfully; they cut off their hair; they gash their bodies; they sometimes even chop off their finger tips or whole joints. They watch by 
]the grave—this is particularly true of women. Food and drink are often carried to the grave for some time after the burial. Fires are kindled to supply light or heat to the soul on its long journey.

Ojibwa Gravepost. (From Schoolcraft.)
Ojibwa Photo Gallery

Not many tribes have special posts or marks at the grave. A few do. The Ojibwa made such with much care. Usually they bore pictures or marks telling about the dead man. His totem animal was often represented, usually upside down to indicate that the bearer of the emblem was dead.