Hopi Indian Symbolic Rituals and Dance

Hopi Indian Symbolic Rituals and Dance

The beliefs of a tribe, philosophical, religious, and magical, are, for the most part, expressed in objective ceremonies. The formal procedure or ritual is essentially a representation or dramatization of the main idea, usually based upon a narrative. Often the ceremony opens with or is preceded by the narration of the myth on which it is based, or the leader may merely refer to it on the assumption that everyone present knows it.

As to the purpose of the ceremony, there are those who maintain that entertainment is the main incentive, but the celebration or holiday seems to be a secondary consideration according to the explanation of the primitives themselves.

If there chances to be a so-called educated native present to answer your inquiry on the point, he will perhaps patiently explain to you that just as July Fourth is celebrated for something more than parades and firecrackers, and Thanksgiving was instituted for other considerations than the eating of turkey, so the Hopi Snake Dance, for instance, is given not so much to entertain the throng of attentive and respectful Hopi, and the much larger throng of more or less attentive and more or less respectful white visitors, as to perpetuate, according to their traditions, certain symbolic rites in whose efficacy they have profoundly believed for centuries and do still believe.

Concerning the Pueblos (which include the Hopi), Hewett says: "There can be no understanding of their lives apart from their religious beliefs and practices. The same may be said of their social structure and of their industries. Planting, cultivating, harvesting, hunting, even war, are dominated by religious rites. The social order of the people is established and maintained by way of tribal ceremonials. Through age-old ritual and dramatic celebration, practiced with unvarying regularity, participated in by all, keeping time to the days, seasons and ages, moving in rhythmic procession with life and all natural forces, the people are kept in a state of orderly composure and like-mindedness.

"The religious life of the Pueblo Indian is expressed mainly through the community dances, and in these ceremonies are the very foundations of the ancient wisdom...."

Dance is perhaps hardly the right word for these ceremonies, yet it is what the Hopi himself calls them, and he is right. But we who have used the word to designate the social dances of modern society or the aesthetic and interpretive dances for entertainment and aesthetic enjoyment will have to tune our sense to a different key to be in harmony with the Hopi dance.

Our primitive's communion with nature and with his own spirit have brought him to a reverent attitude concerning the wisdom of birds, beasts, trees, clouds, sunlight, and starlight, and most of all he clings trustingly to the wisdom of his fathers.

"All this," according to Hewett, "is voiced in his prayers and dramatized in his dances—rhythm of movement and of color summoned to express in utmost brilliancy the vibrant faith of a people in the deific order of the world and in the way the ancients devised for keeping man in harmony with his universe. All his arts, therefore, are rooted in ancestral beliefs and in archaic esthetic forms."

Surely no people on earth, not even the Chinese, show a more consistent reverence for the wisdom of the past as preserved in their myths and legends, than do the Hopi.

About the Hopi Indian Marriage Ceremony

About the Hopi Indian Marriage Ceremony

During the day the girl must labor at the mealing stones, grinding the white meal, silent and unnoticed;

The following is Hough's description of the wedding ceremony at Oraibi: "When the young people decide to be married, the girl informs her mother, who takes her daughter, bearing a tray of meal made from white corn, to the house of the bridegroom where she is received by his mother with thanks. During the day the girl must labor at the mealing stones, grinding the white meal, silent and unnoticed; the next day she must continue her task.... On the third day of this laborious trial she grinds the dark blue corn which the Hopi call black, no doubt, glad when the evening brings a group of friends, laden with trays of meal of their own grinding as presents, and according to the custom, these presents are returned in kind, the trays being sent back next day heavy with choice ears of corn.

"After this three days' probation ... comes the wedding. Upon that day the mother cuts the bride's front hair at the level of her chin and dresses the longer locks in two coils, which she must always wear in token that she is no longer a maiden. At the dawn of the fourth day, the relatives of both families assemble, each one bringing a small quantity of water in a vessel. The two mothers pound up roots of the yucca, used as soap, and prepare two bowls of foaming suds. The young man kneels before the bowl prepared by his future mother-in-law, and the bride before the bowl of the young man's mother, and their heads are thoroughly washed and the relatives take part by pouring handsful of suds over the bowed heads of the couple. While this ceremonial ... goes on ... a great deal of jollity ensues. When the head-washing is over, the visitors rinse the hair of the couple with the water they have brought, and return home. Then the bridal couple take each a pinch of corn meal and leaving the house go silently to the eastern side of the mesa on which the pueblo of Oraibi stands. Holding the meal to their lips, they cast the meal toward the dawn, breathing a prayer for a long and prosperous life, and return to the house, husband and wife.

"The ceremony over, the mother of the bride (Note: All other authorities say groom, H.G.L.) builds a fire under the baking stone, while the daughter prepares the batter and begins to bake a large quantity of paper bread.... The wedding breakfast follows closely on the heels of the wedding ceremony and the father of the young man must run through the pueblo with a bag of cotton, handsful of which he gives to the relatives and friends, who pick out the seeds and return the cotton to him. This cotton is for the wedding blankets and sash which are to be the trousseau of the bride....

"A few days later the crier announces the time for the spinning of the cotton for the bride's blanket. This takes place in the kivas, where usually all the weaving is done by the men, and with jollity and many a story the task is soon finished. The spun cotton is handed over to the bridegroom as a contribution from the village, to be paid for like everything else Hopi, by a sumptuous feast, which has been prepared by the women for the spinners. Perhaps ten sage-brush-fed sheep and goats, tough beyond reason, are being softened in a stew, consisting mainly of corn; stacks of paper bread have been baked, various other dishes have been concocted, and all is ready when the crier calls in the hungry multitude....

"With the spun cotton, serious work begins for the bridegroom and his male relatives, lasting several weeks. A large white blanket ... and a smaller one must be woven and a reed mat in which the blankets are to be rolled. A white sash with long fringe and a pair of mocassins, each having half a deerskin for leggings, like those worn by the women of the Rio Grande pueblos, complete the costume. The blankets must have elaborate tassels at the four corners. (Note: Representing rain falling from the white cloud blanket. H.G.L.)

"Shortly before sunrise, the bride, arrayed in her finery, performs the last act in the drama, called 'going home.' Up to this time the bride has remained in the house of her husband's people. Wearing the large white blanket, picturesquely disposed over her head, and carrying the small blanket wrapped in the reed mat in her hands, she walks to her mother's house ... and the long ceremony is over ... for in this land of women's rights the husband must live with his wife's relatives."

The bride may not appear at a public ceremonial dance until the following July, at the Kachina Farewell ceremony, when all the brides of the year turn out in their lovely wedding blankets and white leggings, the only time this blanket is ever worn after the wedding (during life), save one the naming ceremony of her first child.

It becomes her winding sheet when at death she wears it in her grave, then after four days, she takes it from her shoulders and uses it as a magic carpet when, having reached the edge of the Grand Canyon, she steps out upon her ceremonial blanket, and like a white cloud it descends with her to Maski, the underworld paradise of the Hopi.

Are the Hopi married in this way today? Most certainly. Figure 12 shows a Hopi girl who worked for the writer for three summers. She is a fine, intelligent girl, having gone more than halfway through high school before she returned to her home on Second Mesa to live. This is her wedding picture taken last year at the moment of her "going home," after just such a wedding ceremonial as described above.

Figure 12.—A Hopi Bride.—Photo by Colton.

A letter from friends of the writer states that her baby is just now going through his natal ceremonies in the good old Hopi way. If the Snake Dance is continued till he grows up—it makes one shudder to think of it—he is in line to be a Snake priest!

Death Rituals of the Hupa and Yurok Indians of Califoirnia

Death Rituals of the Hupa and Yurok Indians of Califoirnia

   Customary Descriptions and facts are as strongly developed as farther north along the Pacific slope. This entire western coast region thus forms a unit that differs from the interior and eastern parts of the continent, in which such observances are usually a less conspicuous feature than public and tribal ceremonies. By far the most important of the customary observances in California are those relating to death.. Photos of California Indians Here

   Death was considered to cause defilement and almost everywhere brought after it purification ceremonies. In the Northwestern region these were particularly important, and among such tribes as the Hupa and Yurok the observance of religious purification from contact with the dead, the most essential part of which was the recitation of a certain formula, was the most stringently exacted religious custom. The method of disposing of the dead varied locally between burial and cremation, cremation being practiced over at least half of the state. Air burial and sea burial were nowhere found. Mourning, which consisted primarily of singing and wailing, began immediately upon death and continued for about a day, sometimes longer by the immediate relatives of the deceased. Among some tribes this mourning commenced with full vigor some time before impending death, often during the full consciousness of the patient and with his approval. Mutilations on the part of the mourners were not practiced to any great degree, except that the hair was almost universally cut more or less, especially by the women. Among many tribes the widow, but she only, cut or burned off all her hair. 

Hupa Indians of California

     Mourning observances were almost always carried further by the women than men. Among some tribes of the Sierra Nevada the widow did not speak from the time of her husband's death until the following annual tribal mourning ceremony, except to one attendant, or, in cases of actual necessity, to women only. In the Sierra Nevada was found also the custom of the widow smearing her face and breast with pitch, which was not washed or removed until this annual ceremony. Except in the case of the Northwestern tribes, who possessed more elaborately constructed houses of wood, the house in which a death had occurred was not used again, but was burned. Objects that had been in personal contact or associated with the deceased were similarly shunned and destroyed. The name of the dead was not spoken. Even the word which constituted his name was not used in ordinary discourse, a circumlocution or newly coined word being employed. It is certain that this stringently observed custom has been a factor in the marked dialectic differentiation of the languages of California. The mention of the name of the dead, whether intentionally or accidentally, in some cases aroused feelings of fear connected with his spirit, but more generally was objected to as causing grief, which appears to have been actually and often intensely felt on such occasions. California Indian Photos and Images Here 

Yurok Indians

    In Northwestern California the naming of the dead could be compensated for only by the payment of a considerable sum. Practically the only form of curse or malediction known, other than an occasional indirect allusion to the object of the malediction as being in the condition of a corpse, was a reference to his dead relatives. Some property, but more rarely food, was buried with the dead. The idea that such articles were for his use in the world of the dead was not so strong a motive for such acts as, on the one hand, the feeling that the objects had been defiled by association with him, and on the other, the desire to give expression to the sincerity of the mourning by the destruction of valuables. On the whole, however, the immediate observances of death paled in importance before the annual communal mourning ceremony, which was everywhere, except in the Northwestern region, one of the most deeply rooted and spectacular acts of worship.

Apache Indian's Spiritual Ceremonies Gallery

Apache Indian's Spiritual Ceremonies Gallery

Apache Indian Dancers

Apache Indian Spirituality Feast March Ceremony

Apache Indian Medicine Cap

About The Creek Indian Tribe

About The Creek Indian Tribe

The Creeks or Muskoki were one of the strongest tribes of the southern states. To them were related in language a number of important tribes—the Apalachi, Alibamu, Choctaw, Chicasaw, and others. Several of these tribes were united with the Creeks into a so-called confederacy. This union was not to be compared with that of the Iroquois or the Aztecs, but was a loose combination against foes.

The Creeks and their kindred tribes present a number of points of rather peculiar interest. In the olden time there were two kinds of Creek towns—white towns and red towns. The red towns were war towns, governed by warriors. The white or peace towns were governed by civil chiefs. It is said by some of the early writers that the white towns were “cities of refuge” to which those who were being pursued for some crime or unfortunate accident could flee. The red towns could be known as such as soon as a stranger entered the public square, as the posts of the “great house” were painted red.

Warriors were the most honored of men among the Creeks. Until a young man was successful in battle he was treated hardly different from a servant. The Creek boys had a pretty hard time. They were made to swim in the coldest weather; they were scratched with broken glass or fish teeth, from head to foot till the blood ran; these things were intended to toughen them to the endurance of pain. When the boy was fifteen to seventeen years old he was put through a test, after which he was no longer a boy, but a man. At the proper time he gathered an intoxicating plant. He ate the bitter root of it for a whole day, and drank a tea made of its leaves. When night came he ate a little pounded corn. He kept this up for four days. For four months he ate only pounded maize, which could only be cooked for him by a little girl. After that his food might be cooked by any one. For twelve months from the time of his first fast he ate no venison from young bucks, no turkeys nor hens, no peas nor salt; nor was he permitted to pick his ears or scratch his head with his fingers, but used a splinter of wood for the purpose. At the time of new moon he fasted four days, excepting that he ate a little pounded maize at night. When the last month of his twelve months' test came, he kept four days' fast, then burned some corncobs and rubbed his body with the ashes. At the end of that month, he took a heavy sweat and then plunged into cold water.

Men who wished to become great warriors selected some old conjurer to give them instruction. Four months were spent with him alone. The person desiring to learn fasted, ate bitter herbs, and suffered many hardships. After he had learned all the old conjurer could teach him, it was believed that he could disarm the enemy even at a distance, and if they were far away, could bring them near, so that he might capture them.

In the center of every large Creek town there was a public square. In this square there were three interesting things,—the great house, the council house, and the playground. The great house consisted of four one-story buildings, each about thirty feet long; they were arranged about a square upon which all faced. The side of these which opened on the central square was entirely open. Each of the four houses was divided into three rooms or compartments by low partitions of clay. At the back of each compartment were three platforms or seats, the lowest two feet high, the second several feet higher, the third as much higher than the second. These were covered with cane matting, as if for carpeting. New mats were put in each year, but the old ones were not removed. Each of these four buildings was a gathering-place for a different class of persons. The one facing east was for the mikoand people of high rank; the northern building was for warriors; the southern was for “the beloved men”; and the eastern for the young people. In the great house were kept the weapons, scalps, and other trophies. Upon the supporting posts and timbers were painted horned warriors, horned alligators, horned rattlesnakes, etc. The central court of the great house was dedicated ground, and no woman might set foot in it. In the center of it burned a perpetual fire of four logs.

The council house was at the northeast corner of the great house. It stood upon a circular mound. It consisted of a great conical roof supported on an octagonal frame about twelve feet high. It was from twenty-five to thirty feet in diameter. Its walls were made of posts set upright and daubed with clay. A broad seat ran around the house inside and was covered with cane mats. A little hillock at the center formed a fireplace. The fire kept burning upon this was fed with dry cane or finely split pine wood which was curiously arranged in a spiral line.

The council house was used as a gathering or meeting place, much as the great house, but it was chiefly for bad weather, especially for winter. Here, too, private meetings of importance were held at all times. Here young men prepared for war-parties, spending four days in drinking war-drink, and counseling with the conjurers. This council house was also the place for sweat baths. Stones were heated very hot; water was thrown upon them to give steam. Those desiring the bath danced around this fire and then plunged into cold water.

The playground was in the northwest corner of the public square; it was marked off by low embankments. In the center, on a low, circular mound, stood a four-sided pole, sometimes as much as forty feet high. A mark at the top served as a target for practice with the bow and arrow. The floor of this yard was beaten hard and level. The chief game played here was called Chunkey. It was played with neatly polished stone disks. These were set rolling along on the ground, and the players hurled darts or shafts at them to make the disk fall. (Compare with the wheel game of the Blackfeet.) Ball games and sometimes dances were also held upon this playground.

The great celebration of the Creeks was the annual busk. They called it puskita, or fast. The ceremony was chiefly held at the great house. The time was determined by the condition of the new corn and of a plant named cassine. The ceremony lasted eight days and included many details. Among them we can mention a few. On the first day a spark of new fire was made by rubbing two pieces of wood together. With this a four days' fire was kindled; four logs of wood were brought in and arranged so that one end of each met one end of the others at the middle, and the four formed a cross, the arms of which pointed to the cardinal points; these were fired with the spark of new fire. Bits of new fire, at some time during the four days, were set outside where the women could take them to kindle fresh fires on their home hearths.

At noon of the second day, the men took ashes from the new fire and rubbed them over their chin, neck, and body; they then ran and plunged themselves into cold water. On their return, they took the new corn of the year and rubbed it between their hands and over their bodies. They then feasted upon the new corn. On the last, eighth day, of the busk, a medicinal liquid was made from fourteen (or fifteen) different plants, each of which had medicinal power; they were steeped in water in two pots and were vigorously stirred and beaten. The conjurers blew into the liquid through a reed. The men all drank some of this liquid and rubbed it over their joints.

Hopi Indian Tribe's Snake And Antelope Dancers Photo Gallery

Hopi Indian Tribe's Snake And Antelope Dancers Photo Gallery

Hopi Indian DancersPportrait Taken in 1900

Hopi Indian Antelope Priest (shaman) 1897

Hopi Indians Antelope ceremony taken in 1897

Hopi Indians Antelope Men Await the Snake Men in this ceremony, taken in 1904-Arizona

Hopi Indian Snake Men Ceremonial Dance in Arizona-1904

Hopi Indians Cermonial Dancers in  Arizona-1904

Hopi Indian Dancers, Arizona 1884

Native American, Hopi Indian-Dancers,  Arizona-1884

Hopi Indian Snake Men Consecrate the Ground with Corn Meal -Arizona, 1884

Choctaw Indian Burial Ceremony and Mounds

Choctaw Indian Burial Ceremony and Mounds

     The Choctaws pay their last duties and respect to the deceased in a very different manner. As soon as a person is dead, they erect a scaffold 18 or 20 feet high in a grove adjacent to the town, where they lay the corps, lightly covered with a mantle; here it is suffered to remain, visited and protected by the friends and relations, until the flesh becomes putrid, so as easily to part from the bones; then undertakers, who make it their business, carefully strip the flesh from the bones, wash and cleanse them, and when dry and purified by the air, having provided a curiously-wrought chest or coffin, fabricated of bones and splints, they place all the bones therein, which is deposited in the bone-house, a building erected for that purpose in every town; and when this house is full a general solemn funeral takes place; when the nearest kindred or friends of the deceased, on a day appointed, repair to the bone-house, take up the respective coffins, and, following one another in order of seniority, the nearest relations and connections attending their respective corps, and the multitude following after them, all as one family, with united voice of alternate allelujah and lamentation, slowly proceeding on to the place of general interment, when they place the coffins in order, forming a pyramid; and, lastly, cover all over with earth, which raises a conical hill or mount; when they return to town in order of solemn procession, concluding the day with a festival, which is called the feast of the dead.

Morgan also alludes to this mode of burial:

The body of the deceased was exposed upon a bark scaffolding erected upon poles or secured upon the limbs of trees, where it was left to waste to a skeleton. After this had been effected by the process of decomposition in the open air, the bones were removed either to the former house of the deceased, or to a small bark house by its side, prepared for their reception. In this manner the skeletons of the whole family were preserved from generation to generation by the filial or parental affection of the living. After the lapse of a number of years, or in a season of public insecurity, or on the eve of abandoning a settlement, it was customary to collect these skeletons from the whole community around and consign them to a common resting-place.

The Mourning Customs of the Dakota Sioux

The Mourning Customs of the Dakota Sioux

The mourning customs of the Dakotas, though few of them appear to be of universal observance, cover considerable ground. The hair, never cut under other circumstances, is cropped off even with the neck, and the top of the head and forehead, and sometimes nearly the whole body, are smeared with a species of white earth resembling chalk, moistened with water. The lodge, teepee, and all the family possessions except the few shabby articles of apparel worn by the mourners, are given away and the family left destitute. Thus far the custom is universal or nearly so. The wives, mother, and sisters of a deceased man, on the first, second, or third day after the funeral, frequently throw off their moccasins and leggings and gash their legs with their butcher-knives, and march through the camp and to the place of burial with bare and bleeding extremities, while they chant or wail their dismal songs of mourning. The men likewise often gash themselves in many places, and usually seek the solitude of the higher point on the distant prairie, where they remain fasting, smoking, and wailing out their lamentations for two or three days. A chief who had lost a brother once came to me after three or four days of mourning in solitude almost exhausted from hunger and bodily anguish. He had gashed the outer side of both lower extremities at intervals of a few inches all the way from the ankles to the top of the hips. His wounds had inflamed from exposure, and were suppurating freely. He assured me that he had not slept for several days or nights. I dressed his wounds with a soothing ointment, and gave him a full dose of an effective anodyne, after which he slept long and refreshingly, and awoke to express his gratitude and shake my hand in a very cordial and sincere manner. When these harsher inflictions are not resorted to, the mourners usually repair daily for a few days to the place of burial, toward the hour of sunset, and chant their grief until it is apparently assuaged by its own expression. This is rarely kept up for more than four or five days, but is occasionally resorted to, at intervals, for weeks, or even months, according to the mood of the bereft. I have seen few things in life so touching as the spectacle of an old father going daily to the grave of his child, while the shadows are lengthening, and pouring out his grief in wails that would move a demon, until his figure melts with the gray twilight, when, silent and solemn, he returns to his desolate family. The weird effect of this observance is sometimes heightened, when the deceased was a grown-up son, by the old man kindling a little fire near the head of the scaffold, and varying his lamentations with smoking in silence. The foregoing is drawn from my memory of personal observances during a period of more than six years’ constant intercourse with several subdivisions of the Dakota Indians. There may be much which memory has failed to recall upon a brief consideration.

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Achomawi Indians of California Burials and Cremations

Achomawi Indians of California Burials and Cremations

Another method, embracing both burial and cremation, has been practiced by the Pitt River or Achomawi Indians of California, who

Bury the body in the ground in a standing position, the shoulders nearly even with the ground. The grave is prepared by digging a hole of sufficient depth and circumference to admit the body, the head being cut off. In the grave are placed the bows and arrows, bead-work, trappings, &c., belonging to the deceased; quantities of food, consisting of dried fish, roots, herbs, &c., were placed with the body also. The grave was then filled up, covering the headless body; then a bundle of fagots was brought and placed on the grave by the different members of the tribe, and on these fagots the head was placed, the pile fired, and the head consumed to ashes; after this was done the female relatives of the deceased, who had appeared as mourners with their faces blackened with a preparation resembling tar or paint, dipped their fingers in the ashes of the cremated head and made three marks on their right cheek. This constituted the mourning garb, the period of which lasted until this black substance wore off from the face. In addition to this mourning, the blood female relatives of the deceased (who, by the way, appeared to be a man of distinction) had their hair cropped short. I noticed while the head was burning that the old women of the tribe sat on the ground, forming a large circle, inside of which another circle of young girls were formed standing and swaying their bodies to and fro and singing a mournful ditty. This was the only burial of a male that I witnessed. The custom of burying females is very different, their bodies being wrapped or bundled up in skins and laid away in caves, with their valuables and in some cases food being placed with them in their mouths. Occasionally money is left to pay for food in the spirit land.

Apache Indian Burial Ceremony

Apache Indian Burial Ceremony

The Coyotero Apaches, according to Dr. W. J. Hoffman, in disposing of their dead, seem to be actuated by the desire to spare themselves any needless trouble, and prepare the defunct and the grave in this manner:

The Coyoteros, upon the death of a member of the tribe, partially wrap up the corpse and deposit it into the cavity left by the removal of a small rock or the stump of a tree. After the body has been crammed into the smallest possible space the rock or stump is again rolled into its former position, when a number of stones are placed around the base to keep out the coyotes. The nearest of kin usually mourn for the period of one month, during that time giving utterance at intervals to the most dismal lamentations, which are apparently sincere. During the day this obligation is 112frequently neglected or forgotten, but when the mourner is reminded of his duty he renews his howling with evident interest. This custom of mourning for the period of thirty days corresponds to that formerly observed by the Natchez.

Burial Ceremony of a Sioux Indian Warrior

Burial Ceremony of the Dakota Sioux

Sioux Indian Warrior Burial—After death they paint a warrior red across the mouth, or they paint a hand in black color, with the thumb on one side of the mouth and the fingers separated on the other cheek, the rest of the face being painted red. (This latter is only done as a mark of respect to a specially brave man.) Spears, clubs, and the medicine-bag of the deceased when alive are buried with the body, the medicine-bag being placed on the bare skin over the region of the heart. There is not now, nor has there been, among these Indians any special preparation of the grave. The body of a warrior is generally wrapped in a blanket or piece of cloth (and frequently in addition is placed in a box) and buried in the grave prepared for the purpose, always, as the majority of these Indians inform me, with the head towards the south. (I have, however, seen many graves in which the head of the occupant had been placed to the east. It may be that these graves were those of Indians who belonged to the church; and a few Indians inform me that the head is sometimes placed towards the west, according to the occupant’s belief when alive as to the direction from which his guiding medicine came, and I am personally inclined to give credence to this latter as sometimes occurring.) In all burials, when the person has died a natural death, or had not been murdered, and whether man, woman, or child, the body is placed in the grave with the face up. In cases, however, when a man or woman has been murdered by one of their own tribe, the body was, and is always, placed in the grave with the face down, head to the south, and a piece of fat (bacon or pork) placed in the mouth. This piece of fat is placed in the mouth, as these Indians say, to prevent the spirit of the murdered person driving or scaring the game from that section of country. Those Indians who state that their dead are always buried with the head towards the south say they do so in order that the spirit of the deceased may go to the south, the land from which these Indians believe they originally came.

Women and children.—Before death the face of the person expected to die is often painted in a red color. When this is not done before death it is done afterwards; the 108body being then buried in a grave prepared for its reception, and in the manner described for a warrior, cooking-utensils taking the place of the warrior’s weapons. In cases of boys and girls a kettle of cooked food is sometimes placed at the head of the grave after the body is covered. Now, if the dead body be that of a boy, all the boys of about his age go up and eat of the food, and in cases of girls all the girls do likewise. This, however, has never obtained as a custom, but is sometimes done in cases of warriors and women also.

Cremation has never been practiced by these Indians. It is now, and always has been, a custom among them to remove a lock of hair from the top or scalp lock of a warrior, or from the left side of the head of a woman, which is carefully preserved by some near relative of the deceased, wrapped in pieces of calico and muslin, and hung in the lodge of the deceased and is considered the ghost of the dead person. To the bundle is attached a tin cup or other vessel, and in this is placed some food for the spirit of the dead person. Whenever a stranger happens in at meal time, this food, however, is not allowed to go to waste; if not consumed by the stranger to whom it is offered, some of the occupants of the lodge eat it. They seem to take some pains to please the ghost of the deceased, thinking thereby they will have good luck in their family so long as they continue to do so. It is a custom with the men when they smoke to offer the pipe to the ghost, at the same time asking it to confer some favor on them, or aid them in their work or in hunting, &c.

There is a feast held over this bundle containing the ghost of the deceased, given by the friends of the dead man. This feast may be at any time, and is not at any particular time, occurring, however, generally as often as once a year, unless, at the time of the first feast, the friends designate a particular time, such, for instance, as when the leaves fall, or when the grass comes again. This bundle is never permitted to leave the lodge of the friends of the dead person, except to be buried in the grave of one of them. Much of the property of the deceased person is buried with the body, a portion being placed under the body and a portion over it. Horses are sometimes killed on the grave of a warrior, but this custom is gradually ceasing, in consequence of the value of their ponies. These animals are therefore now generally given away by the person before death, or after death disposed of by the near relatives. Many years ago it was customary to kill one or more ponies at the grave. In cases of more than ordinary wealth for an Indian, much of his personal property is now, and has ever been, reserved from burial with the body, and forms the basis for a gambling party, which will be described hereafter. No food is ever buried in the grave, but some is occasionally placed at the head of it; in which case it is consumed by the friends of the dead person. Such is the method that was in vogue with these Indians twenty years ago, and which is still adhered to, with more or less exactness, by the majority of them, the exceptions being those who are strict church members and those very few families who adhere to their ancient customs.

Ancient and Modern Funeral Practices of the Sac and Fox Native Americans

Ancient and Modern Funeral Practices of the Sac and Fox Native Americans

It will be seen from the following account, furnished by M. B. Kent, relating to the Sacs and Foxes (Oh-sak-ke-uck) of the Nehema Agency, Nebraska, that these Indians were careful in burying their dead to prevent the earth coming in contact with the body, and this custom has been followed by a number of different tribes, as will be seen by examples given further on.

Ancient burial.—The body was buried in a grave made about 2½ feet deep, and was laid always with the head towards the east, the burial taking place as soon after death as possible. The grave was prepared by putting bark in the bottom of it before the corpse 5as deposited, a plank covering made and secured some distance above the body. The plank was made by splitting trees, until intercourse with the whites enabled them to obtain sawed lumber. The corpse was always enveloped in a blanket, and prepared as for a long journey in life, no coffin being used.

Modern burial.—This tribe now usually bury in coffins, rude ones constructed by themselves, still depositing the body in the grave with the head towards the east.

Ancient funeral ceremonies.—Every relative of the deceased had to throw some article in the grave, either food, clothing, or other material. There was no rule stating the nature of what was to be added to the collection, simply a requirement that something must be deposited, if it were only a piece of soiled and faded calico. After the corpse was lowered into the grave some brave addressed the dead, instructing him to walk directly westward, that he would soon discover moccasin tracks, which he must follow until he came to a great river, which is the river of death; when there he would find a pole across the river, which, if he has been honest, upright, and good, will be straight, upon which he could readily cross to the other side; but if his life had been one of wickedness and sin, the pole would be very crooked, and in the attempt to cross upon it he would be precipitated into the turbulent stream and lost forever. The brave also told him if he crossed the river in safety the Great Father would receive him, take out his old brains, give him new ones, and then he would have reached the happy hunting grounds, always be happy and have eternal life. After burial a feast was always called, and a portion of the food of which each and every relative was partaking was burned to furnish subsistence to the spirit upon its journey.

funeral ceremonies.—Provisions are rarely put into the grave, and no portion of what is prepared for the feast subsequent to burial is burned, although the feast is continued. All the address delivered by the brave over the corpse after being deposited in the grave is omitted. A prominent feature of all ceremonies, either funeral or religious, consists of feasting accompanied with music and dancing.

Ancient mourning observances.—The female relations allowed their hair to hang entirely unrestrained, clothed themselves in the most unpresentable attire, the latter of which the males also do. Men blacked the whole face for a period of ten days after a death in the family, while the women blacked only the cheeks; the faces of the children were blacked for three months; they were also required to fast for the same length of time, the fasting to consist of eating but one meal per day, to be made entirely of hominy, and partaken of about sunset. It was believed that this fasting would enable the child to dream of coming events and prophesy what was to happen in the future. The extent and correctness of prophetic vision depended upon how faithfully the ordeal of fasting had been observed.

Modern mourning observances.—Many of those of the past are continued, such as wearing the hair unrestrained, wearing uncouth apparel, blacking faces, and fasting of children, and they are adhered to with as much tenacity as many of the professing Christians belonging to the evangelical churches adhere to their practices, which constitute mere forms, the intrinsic value of which can very reasonably be called in question.