Showing posts with label Choctaw Indians. Show all posts
Showing posts with label Choctaw Indians. Show all posts

Friday, September 25, 2020

Choctaw, Native American Women Photo Gallery

 

Choctaw, Native American Women Photo Gallery




Choctaw Indian girls photographed in 1868

Choctaw Indian girls from a boarding school, photographed in Oklahoma in 1910

Choctaw Indian girl photographed in 1918

Choctaw Indian family photographed in Oklahoma in 1934

Choctaw Indian girl photographed in 1910 in Mississippi


Monday, August 17, 2020

Native American Box Burials

Native American Box Burials 

Under this head may be placed those examples furnished by certain tribes on the northwest coast who used as receptacles for the dead wonderfully carved, large wooden chests, these being supported upon a low platform or resting on the ground. In shape they resemble a small house with an angular roof, and each one has an opening through which food may be passed to the corpse.
Some of the tribes formerly living in New York used boxes much resembling those spoken of, and the Creeks, Choctaws, and Cherokees did the same.
Capt. J. H. Gageby, United States Army, furnishes the following relating to the Creeks in Indian Territory.
*** are buried on the surface, in a box or a substitute made of branches of trees, covered with small branches, leaves, and earth. I have seen several of their graves, which after a few weeks had become uncovered and the remains exposed to view. I saw in one Creek grave (a child’s) a small sum of silver, in another (adult male) some implements of warfare, bow and arrows. They are all interred with the feet of the corpse to the east. In the mourning ceremonies of the Creeks the nearer relatives smeared their hair and faces with a composition made of grease and wood ashes, and would remain in that condition for several days, and probably a month.
Josiah Priest gives an account of the burial repositories of a tribe of Pacific coast Indians living on the Talomeco River, Oregon. The writer believes it to be entirely unreliable and gives it place as an example of credulity shown by many writers and readers.
The corpses of the Caciques were so well embalmed that there was no bad smell, they were deposited in large wooden coffins, well constructed, and placed upon benches two feet from the ground. In smaller coffins, and in baskets, the Spaniards found the clothes of the deceased men and women, and so many pearls that they distributed them among the officers and soldiers by handsfulls.
In Bancroft may be found the following account of the burial boxes of the Esquimaux.
The Eskimos do not as a rule bury their dead, but double the body up and place it on the side in a plank box which is elevated three or four feet from the ground and supported by four posts. The grave-box is often covered with painted figures of 156birds, fishes and animals. Sometimes it is wrapped in skins placed upon an elevated frame and covered with planks or trunks of trees so as to protect it from wild beasts. Upon the frame, or in the grave box are deposited the arms, clothing, and sometimes the domestic utensils of the deceased. Frequent mention is made by travelers of burial places where the bodies lie exposed with their heads placed towards the north.
Frederic Whymper describes the burial boxes of the Kalosh of that Territory.
Their grave boxes or tombs are interesting. They contain only the ashes of the dead. These people invariably burn the deceased. On one of the boxes I saw a number of faces painted, long tresses of human hair depending therefrom. Each head represented a victim of the (happily) deceased one’s ferocity. In his day he was doubtless more esteemed than if he had never harmed a fly. All their graves are much ornamented with carved and painted faces and other devices.
W. H. Dall, well known as one of the most experienced and careful of American Ethnologic observers, describes the burial boxes of the Innuits of Unalaklik, Innuits of Yuka, and Ingaliks of Ulukuk as follows: Figs. 13 and 14 are after his illustrations in the volume noted.

see caption
Fig. 13.—Innuit Grave.
INNUIT OF UNALAKLIK.
The usual fashion is to place the body doubled up on its side in a box of plank hewed out of spruce logs and about four feet long. This is elevated several feet above the ground on four posts which project above the coffin or box. The sides are often painted with red chalk in figures of fur animals, birds, and fishes. According to the 
wealth of the dead man, a number of articles which belonged to him are attached to the coffin or strewed around it; some of them have kyaks, bows and arrows, hunting implements, snow-shoes, or even kettles, around the grave or fastened to it; and almost invariably the wooden dish, or “kantág,” from which the deceased was accustomed to eat, is hung on one of the posts.

see caption
Fig. 14.—Ingalik grave.
INNUIT OF YUKON.
The dead are enclosed above ground in a box in the manner previously described. The annexed sketch shows the form of the sarcophagus, which, in this case, is ornamented with snow-shoes, a reel for seal-lines, a fishing-rod, and a wooden dish or kantág. The latter is found with every grave, and usually one is placed in the box with the body. Sometimes a part of the property of the dead person is placed in the coffin or about it; occasionally the whole is thus disposed of. Generally the furs, possessions, and clothing (except such as has been worn) are divided among the nearer relatives of the dead, or remain in possession of his family if he has one; such clothing, household utensils, and weapons as the deceased had in daily use are almost invariably enclosed in his coffin. If there are many deaths about the same time, or an epidemic occurs, everything belonging to the dead is destroyed. The house in which a death occurs is always deserted and usually destroyed. In order to avoid this, it is not uncommon to take the sick person out of the house and put him in a tent to die. A woman’s coffin may be known by the kettles and other feminine utensils about it. There is no distinction between the sexes in method of burial. On the outside of the coffin, figures are usually drawn in red ochre. Figures of fur animals usually indicate that the dead person was a good trapper; if seal or deer skin, his proficiency as a hunter; representation of parkies that he was wealthy; the manner of his death is also occasionally indicated. For four days after a death the women in the village do no sewing; for five days the men do not cut wood with an axe. The relatives of the dead must not seek birds’ eggs on the overhanging cliffs for a year, or their feet will slip from under them and they will be dashed to pieces. No mourning is worn or indicated, except by cutting the hair. Women sit and watch the body, chanting a 
mournful refrain until he is interred. They seldom suspect that others have brought the death about by shamánism, as the Indians almost invariably do.
At the end of a year from the death, a festival is given, presents are made to those who assisted in making the coffin, and the period of mourning is over. Their grief seldom seems deep but they indulge for a long time in wailing for the dead at intervals. I have seen several women who refused to take a second husband, and had remained single in spite of repeated offers for many years.

Tuesday, May 28, 2013

Choctaw Indian Burial Ceremony and Mounds

Choctaw Indian Burial Ceremony and Mounds



     The Choctaws pay their last duties and respect to the deceased in a very different manner. As soon as a person is dead, they erect a scaffold 18 or 20 feet high in a grove adjacent to the town, where they lay the corps, lightly covered with a mantle; here it is suffered to remain, visited and protected by the friends and relations, until the flesh becomes putrid, so as easily to part from the bones; then undertakers, who make it their business, carefully strip the flesh from the bones, wash and cleanse them, and when dry and purified by the air, having provided a curiously-wrought chest or coffin, fabricated of bones and splints, they place all the bones therein, which is deposited in the bone-house, a building erected for that purpose in every town; and when this house is full a general solemn funeral takes place; when the nearest kindred or friends of the deceased, on a day appointed, repair to the bone-house, take up the respective coffins, and, following one another in order of seniority, the nearest relations and connections attending their respective corps, and the multitude following after them, all as one family, with united voice of alternate allelujah and lamentation, slowly proceeding on to the place of general interment, when they place the coffins in order, forming a pyramid; and, lastly, cover all over with earth, which raises a conical hill or mount; when they return to town in order of solemn procession, concluding the day with a festival, which is called the feast of the dead.
Morgan also alludes to this mode of burial:


The body of the deceased was exposed upon a bark scaffolding erected upon poles or secured upon the limbs of trees, where it was left to waste to a skeleton. After this had been effected by the process of decomposition in the open air, the bones were removed either to the former house of the deceased, or to a small bark house by its side, prepared for their reception. In this manner the skeletons of the whole family were preserved from generation to generation by the filial or parental affection of the living. After the lapse of a number of years, or in a season of public insecurity, or on the eve of abandoning a settlement, it was customary to collect these skeletons from the whole community around and consign them to a common resting-place.

Sunday, July 31, 2011

Native American: Mourning, Sacrifice, Illustrated

Native American: Mourning, Sacrifice, Illustrated




The above subjects are coincident with burial, and some of them, particularly mourning, have been more or less treated of in this paper, yet it may be of advantage to here give a few of the collected examples, under separate heads.


MOURNING.
One of the most carefully described scenes of mourning at the death of a chief of the Crows is related in the life of Beckwourth,who for many years lived among this people, finally attaining great distinction as a warrior.
I dispatched a herald to the village to inform them of the head chief’s death, and then, burying him according to his directions, we slowly proceeded homewards. My very soul sickened at the contemplation of the scenes that would be enacted at my arrival. When we drew in sight of the village, we found every lodge laid prostrate. We entered amid shrieks, cries, and yells. Blood was streaming from every conceivable part of the bodies of all who were old enough to comprehend their loss. Hundreds of fingers were dismembered; hair torn from the head lay in profusion about the paths; wails and moans in every direction assailed the ear, where unrestrained joy had a few hours before prevailed. This fearful mourning lasted until evening of the next day. ***
A herald having been dispatched to our other villages to acquaint them with the death of our head chief, and request them to assemble at the Rose Bud, in order to meet our village and devote themselves to a general time of mourning, there met, in conformity to the summons, over ten thousand Crows at the place indicated. Such a scene of disorderly, vociferous mourning, no imagination can conceive nor any pen portray. Long Hair cut off a large roll of his hair; a thing he was never known to do before. The cutting and hacking of human flesh exceeded all my previous experience; fingers were dismembered as readily as twigs, and blood was poured out like water. Many of the warriors would cut two gashes nearly the entire length of their arm; then, separating the skin from the flesh at one end, would grasp it in their other hand, and rip it asunder to the shoulder. Others would carve various devices upon 

their breasts and shoulders, and raise the skin in the same manner to make the scars show to advantage after the wound was healed. Some of their mutilations were ghastly, and my heart sickened to look at them, but they would not appear to receive any pain from them.





The Choctaw widows mourn by never combing their hair for the term of their grief, which is generally about a year. The Chippeway men mourn by painting their faces black.
I omitted to mention that when presents are going round, the badge of mourning, this “husband” comes in for an equal share, as if it were the living husband.
A Chippeway mother, on losing her child, prepares an image of it in the best manner she is able, and dresses it as she did her living child, and fixes it in the kind of cradle I have referred to, and goes through the ceremonies of nursing it as if it were alive, by dropping little particles of food in the direction of its mouth, and giving it of whatever the living child partook. This ceremony also is generally observed for a year.
Benso gives the following account of the Choctaws’ funeral ceremonies, embracing the disposition of the body, mourning feast and dance:
Their funeral is styled by them “the last cry.”
When the husband dies the friends assemble, prepare the grave, and place the corpse in it, but do not fill it up. The gun, bow and arrows, hatchet, and knife are deposited in the grave. Poles are planted at the head and the foot, upon which flags are placed; the grave is then inclosed by pickets driven in the ground. The funeral ceremonies now begin, the widow being the chief mourner. At night and morning she will go to the grave and pour forth the most piteous cries and wailings. It is not important that any other member of the family should take any very active part in the “cry,” though they do participate to some extent.
The widow wholly neglects her toilet, while she daily goes to the grave during one entire moon from the date when the death occurred. On the evening of the last day of the moon the friends all assemble at the cabin of the disconsolate widow, bringing provisions for a sumptuous feast, which consists of corn and jerked beef boiled together in a kettle. While the supper is preparing the bereaved wife goes to the grave and pours out, with unusual vehemence, her bitter wailings and lamentations. When the food is thoroughly cooked the kettle is taken from the fire and placed in the center of the cabin, and the friends gather around it, passing the buffalo-horn spoon from hand to hand and from mouth to mouth till all have been bountifully supplied. While supper is being served, two of the oldest men of the company quietly withdraw and go to the grave and fill it up, taking down the flags. All then join in a dance, which not unfrequently is continued till morning; the widow does not fail to unite in the dance, and to contribute her part to the festivities of the occasion. This is the “last cry,” the days of mourning are ended, and the widow is now ready to form another matrimonial alliance. The ceremonies are precisely the same when a man has lost his wife, and they are only slightly varied when any other member of the family has died. (Slaves were buried without ceremonies.)