Showing posts with label Pueblo. Show all posts
Showing posts with label Pueblo. Show all posts

Tuesday, March 8, 2016

About Native American Clothing and Use of Colors

About Native American Clothing  and Use of  Colors




     In the eastern states and on the Plains the dress of the Indians was largely composed of tanned and dressed skins such as those of the buffalo and the deer. Most of the Indians were skilled in dressing skins. The hide when fresh from the animal was laid on the ground, stretched as tightly as possible and pegged down all around the edges. As it dried it became still more taut. A scraper was used to remove the fat and to thin the skin. In old days this scraper was made of a piece of bone cut to proper form, or of a stone chipped to a sharp edge; in later times it was a bone handle, with a blade of iron or steel attached to it. Brains, livers, and fat of animals were used to soften and dress the skin. These materials were mixed together and spread over the stretched skin, which was then rolled up and laid aside. After several days, when the materials had soaked in and somewhat softened the skin, it was opened and washed: it was then rubbed, twisted, and worked over until soft and fully dressed.

The men wore three or four different articles of dress. First was the breech-clout, which consisted of a strip of skin or cloth perhaps a foot wide and several feet long; sometimes its ends were decorated with beadwork or other ornamentation. This cloth was passed between the legs and brought up in front and behind. It was held in place by a band or belt passing around the waist, and the broad decorated ends hung down from this something like aprons. Almost all male Indians on the continent wore the breech-clout.


The men also wore buckskin leggings. These were made in pairs, but were not sewed together. They fitted tightly over the whole length of the leg, and sometimes were held up by a cord at the outer upper corner, which was tied to the waist-string. Leggings were usually fringed with strips of buckskin sewed along the outer side. Sometimes bands of beadwork were tied around the leggings below the knees.


A jacket or shirt made of buckskin and reaching to the knees was generally worn. It was variously decorated. Buckskin strip fringes bordered it; pictures in black or red or other colors were painted upon it; handsome patterns were worked into it with beads or porcupine quills, brightly dyed; tufts of hair or true scalps might be attached to it.
Over all these came the blanket or robe. Nowadays these are got from the whites, and are simple flannel blankets; but in the old times they were made of animal hides. In putting on a blanket, the male Indian usually takes it by two corners, one in each hand, and folds it around him with the upper edge horizontal. Holding it thus a moment with one hand, he catches the sides, a little way down, with the fingers of the other hand, and thus holds it.
Even where the men have given up the old style of dress the women often retain it. The garments are usually made, however, of cloth instead of buckskin. Thus among the Sacs and Foxes the leggings of the women, which used to be made of buckskin, are now of black broad-cloth. They are made very broad or wide, and reach only from the ankles to a little above the knees. They are usually heavily beaded. The woman's skirt, fastened at the waist, falls a little below the knees; it is made of some bright cloth and is generally banded near the bottom with tape or narrow ribbon of a different color from the skirt itself. Her jacket is of some bright cloth and hangs to the waist. Often it is decorated with brooches or fibulæ made of German silver. I once saw a little girl ten years old who was dancing, in a jacket adorned with nearly three hundred of these ornaments placed close together.


All Indians, both men and women, are fond of necklaces made of beads or other material. Men love to wear such ornaments composed of trophies, showing that they have been successful in war or in hunting. They use elk teeth, badger claws, or bear claws for this purpose. One very dreadful necklace in Washington is made chiefly of the dried fingers of human victims. Among the Sacs and Foxes, the older men use a neck-ring that looks like a rope of solid beads. It consists of a central rope made of rags; beads are strung on a thread and this is wrapped around and around the rag ring, until when finished only beads can be seen.
Before the white man came, the Indians used beads made of shell, stone, or bone. Nowadays they are fond of the cheap glass beads which they get from white traders. There are two kinds of beadwork now made. The first is the simpler. It is sewed work. Patterns of different colored beads are worked upon a foundation of cloth. Moccasins, leggings, and jackets are so decorated; sometimes the whole article may be covered with the bright beads. Almost every one has seen tobacco-pouches or baby-frames covered with such work. The other work is far more difficult. It is used in making bands of beads for the arms, legs, and waist. It is true woven work of the same sort as the famous wampum belts, of which we shall speak later. Such bands look like solid beads and present the same patterns on both sides.


The porcupine is an animal that is covered with spines or “quills.” These quills were formerly much used in decorating clothing. They were often dyed in bright colors. After being colored they were flattened by pressure and were worked into pretty geometrical designs, color-bands, rosettes, etc., upon blankets, buckskin shirts, leggings, and moccasins. Very little of this work has been done of late years: beadwork has almost crowded it out of use.


The moccasin is a real Indian invention, and it bears an Indian name. It is the most comfortable foot-wear that could be devised for the Indian mode of life. It is made of buckskin and closely fits the foot. Moccasins usually reach only to the ankle, and are tied close with little thongs of buckskin. They have no heels, and no part is stiff or unpleasant to the foot. The exact shape of the moccasin and its decoration varies with the tribe.
In some tribes there is much difference between the moccasins of men and those of women. Among the Sacs and Foxes the woman's moccasin has two side flaps which turn down and nearly reach the ground; these, as well as the part over the foot, are covered with a mass of beading; the man's moccasin has smaller side flaps, and the 
only beading upon it is a narrow band running lengthwise along the middle part above the foot.
The women of the Pueblos are not content with simple moccasins, but wrap the leg with strips of buckskin. This wrapping covers the leg from the ankles to the knees and is heavy and thick, as the strips are wound time after time around the leg. At first, this wrapping looks awkward and ugly to a stranger, but he soon becomes accustomed to it.


Not many of the tribes were real weavers. Handsome cotton blankets and kilts were woven by the Moki and other Pueblo Indians. Such are still made by these tribes for their religious ceremonies and dances. Nowadays these tribes have flocks of sheep and know how to weave good woollen blankets. Some of the Pueblos also weave long, handsome belts, in pretty patterns of bright colors. Their rude loom consists of just a few sticks, but it serves its purpose 

well, and the blankets and belts are firm and close.

The Navajo, who are neighbors of the Pueblos, learned how to weave from them, but are to-day much better weavers than their teachers. Every one knows the Navajo blankets, with their bright colors, pretty designs, and texture so close as to shed water.
Some tribes of British Columbia weave soft capes or cloaks of cedar bark, and in Alaska the Chilcat Indians weave beautiful blankets of mountain-sheep wool and mountain-goat hair. These are a mass of odd, strikingly colored, and crowdedly arranged symbolic devices.
Among some California Indians the women wore dresses made of grass. They were short skirts or kilts, consisting of a waist-band from which hung a fringe of grass cords. They had nuts and other objects ornamentally inserted into the cords. They reached about to the knees.

Sunday, March 6, 2016

Pueblo Indian Women and Pottery Photo and Image Gallery


Pueblo Indian Women and Pottery Photo Gallery


Image is from an old postcard showing Pueblo Indian women making pottery for the tourist trade.


Pueblo Indian women selling pottery to tourist at the train station in Albuquerque, New Mexico.


Pueblo Indian photographed with her pottery


Pueblo Indian woman photographed in 1900 with pottery.


Pueblo Indian woman photographed with her pottery.


This type of undecorated  Pueblo pottery is rarely photographed. 

Wednesday, March 2, 2016

Historic Photos of Pueblo Indian Women


Historic Photos of Pueblo Indian Women 
of New Mexico



Cochita Pueblo Indian woman grinding corn


Two young Pueblo Indian women with baskets. Date of photo is unknown.


Two Pueblo Indian women taken in 1890 in New Mexico.


Two Pueblo Indian women with small child taken in 1916 in New Mexico


Two Pueblo Indian women Corn Dancers. taken circa 1900


Photo taken in the 1930s of a Pueblo Indian women getting water from the river.






Wednesday, December 9, 2015

Faces of Pueblo Indian Women

Faces of Pueblo Indian Women




1925 photo of a Pueblo Indian Woman


 1890 photo of a Pueblo Indian woman and child.


 1890 photo of a Pueblo Indian woman and child.


1890 Pueblo Indian woman and daughter


1920 photo of Pueblo Indian potter


Pueblo Indian mother with her two sons. Photo taken in 1940


1910 photo of a Pueblo Indian woman with traditional clothing


1895 photo of two Pueblo Indian women


1910 photo of Pueblo Indian women carrying pots


1910 photo of two Pueblo Indian women with child


Friday, March 20, 2015

Two Pueblo Indian Women Photographed in Arizona in 1883

Two Pueblo Indian Women Photographed in Arizona in 1883


Wednesday, May 21, 2014

Dance-Festivals of the Hopi Indians


Dance-Festivals of the Hopi Indians



The most highly developed North American festival system is that of the Hopi or Moqui of Arizona, the observances of which are almost of a theatrical nature. All the Pueblo Indians, of whom the Hopi are a division, possess similar festivals, which recur at various seasons or under the auspices of different totem clans or secret societies. Most of these 'dances' are arranged by the Katcina clan, and take place in dance-houses known as kivas. These ceremonies have their origin in the universal reverence shown to the serpent in America—a reverence based on the idea that the symbol of the serpent, tail in mouth, represented the round, full sun of August. In the summer 'dances' snake-charming feats are performed, but in the Katcina ceremony serpents are never employed.
Devil-dances are by no means uncommon among the Indians. The purpose of these is to drive evil spirits from the vicinity of the tribe.

Sunday, May 27, 2012

Pueblo Tenement Houses in New Mexico


JOINT PUEBLO TENEMENT HOUSES OF VILLAGE INDIANS IN NEW MEXICO.

Santo Domingo is composed of several structures of adobe brick grouped together, as shown in the engraving, Fig 22. Each is about two hundred feet long, with two parallel rows of apartments on the ground, of which the front row is carried up one story, and the back two; the flat roof of the first story forming a terrace in front of the second. The first story is closed up solid for defensive reasons, with the exception of small window openings. The first terrace is reached by means of ladders from the ground; the rooms in the first story are entered through trap-doors in the floors, and in the second through doors opening upon the terrace, and also through trap-doors through the floors which form the roof. These structures are typical of all the aboriginal houses in New Mexico. They show two principal features: first, the terraced form of architecture, common also in Mexico, with the house tops as the social gathering places of the inmates; and, second, a closed ground story for safety. Every house, therefore, is a fortress. Lieutenant Abert remarks upon one of the houses of this pueblo, of which he gives an elevation, that "the upper story is narrower than the one below, so that there is a platform or landing along the whole length of the building. To enter, you ascend to the platform by means of ladders that could easily be removed; and, as there is a parapet wall extending along the platform, these houses could be converted into formidable forts." [Footnote: Ex. Doc. No. 41, 1st session 30th Congress, 1848, p. 462.]
The number of apartments in each house is not stated. The different houses at that time were inhabited by eight hundred Indians. Chimneys now appear above the roofs, the fire-place being at the angle of the chamber in front. These were evidently of later introduction. The defensive element, so prominent in this architecture, was not so much to protect the Village Indians from each other, as from the attacks of migrating bands flowing down upon them from the North. The pueblos now in ruins throughout the original area of New Mexico, and for some distance north of it, testify to the perpetual struggle of the former to maintain their ground, as well as prove the insecurity in which they lived. It could be shown that the second and additional stories were suggested by the defensive principle.
Zunyi, Fig. 23, is the largest occupied pueblo in New Mexico at the present time. It probably once contained five thousand inhabitants, but in 1851 the number was reduced to fifteen hundred. The village consists of several structures, most of them accessible to each from their roof terraces. They are constructed of adobe brick, and of stone embedded in adobe mortar, and plastered over.
In the summer of 1879, Mr. James Stevenson, in charge of the field parties under Major Powell, made an extended visit to Zunyi and the neighboring pueblos, for the purpose of making collections of their implements, utensils, etc., during which time the photographs from which the accompanying illustrations of the pueblos were made. His wife accompanied him, and she has furnished us the following description of that pueblo:
"Zunyi is situated in Western New Mexico, being built upon a knoll covering about fifteen acres, and some forty feet above the right bank of the river of the same name.
"Their extreme exclusiveness has preserved to the Zunyians their strong individuality, and kept their language pure. According to Major Powell's classification, their speech forms one of four linguistic stocks to which may be traced all the pueblo dialects of the southwest. In all the large area which was once thickly dotted with settlements, only thirty-one remain, and these are scattered hundreds of miles apart from Taos, in Northern New Mexico to Islet, in Western Texas. Among these remnants of great native tribes, the Zunyians may claim perhaps the highest position, whether we regard simply their agricultural and pastoral pursuits, or consider their whole social and political organization.
"The town of Zunyi is built in the most curious style. It resembles a great beehive, with the houses piled one upon another in a succession of terraces, the roof of one forming the floor or yard of the next above, and so on, until in some cases five tiers of dwellings are successively erected, though no one of them is over two stories high. These structures are of stone and 'adobe'. They are clustered around two plazas, or open squares, with several streets and three covered ways through the town.
"The upper houses of Zunyi are reached by ladders from the outside. The lower tiers have doors on the ground plan, while the entrances to the others are from the terraces. There is a second entrance through hatchways in the roof, and thence by ladders down into the rooms below. In many of the pueblos there are no doors whatever on the ground floor, but the Zunyians assert that their lowermost houses have always been provided with such openings. In times of threatened attack the ladders were either drawn up or their rungs were removed, and the lower doors were securely fastened in some of the many ingenious ways these people have of barring the entrances to their dwellings. The houses have small windows, in which mica was originally used, and is still employed to some extent; but the Zunyians prize glass highly, and secure it, whenever practicable, at almost any cost. A dwelling of average capacity has four or five rooms, though in some there are as many as eight. Some of the larger apartments are paved with flagging, but the floors are usually plastered with clay, like the walls. Both are kept in constant repair by the women, who mix a reddish-brown earth with water to the proper consistency and then spread it by hand, always laying it in semicircles. It dries smooth and even, and looks well. In working this plaster the squaw keeps her mouth filled with water, which is applied with all the dexterity with which a Chinese laundry-man sprinkles clothes. The women appear to delight in this work, which they consider their special prerogative, and would feel that their rights were infringed upon were men to do it. In building, the men lay the stone foundations and set in place the huge logs that serve as beams to support the roof, the spaces between these rafters being filled with willow-brush; though some of the wealthier Zunyians use instead shingles made by the carpenters of the village. The women then finish the structure. The ceilings of all the older houses are low; but Zunyi architecture has improved and the modern style gives plenty of room, with doors through which one may pass without stooping. The inner walls are usually whitened. For this purpose a kind of white clay is dissolved in boiling water and applied by hand. A glove of undressed goat-skin is worn, the hand being dipped in the hot liquid and then passed repeatedly over the wall.
"In Zunyi, as elsewhere, riches and official position confer importance upon their possessors. The wealthy class live in the lower houses, those of moderate means next above, while the poorer families have to be content with the uppermost stories. Naturally no one will climb into the garret who has the means of securing more convenient apartments, under the huge system of 'French flats', which is the way of living in Zunyi. Still there is little or no social distinction in the rude civilization, the whole population of the town living almost as one family. The Alcalde, or Lieutenant-Governor, furnishes an exception to the general rule, as his official duties require him to occupy the highest house of all, from the top of which he announces each morning to the people the orders of the Governor, and makes such other proclamation as may be required of him.
"Each family has one room, generally the largest in the house, where they work, eat, and sleep together. In this room the wardrobe of the family hangs upon a log suspended beneath the rafters, only the more valued robes, such as those worn in the dance, being wrapped and carefully stored away in another apartment. Work of all kinds goes on in this large room, including the cookery, which is done in a fire-place on the long side, made by a projection at right angles with the wall, with a mantel-piece on which rests the base of the chimney. Another fire-place in a second room is from six to eight feet in width, and above this is a ledge shaped somewhat like a Chinese awning. A highly-polished slab, fifteen or twenty inches in size, is raised a foot above the hearth. Coals are heaped beneath this slab, and upon it the Waiavi is baked. This delicious kind of bread is made of meal ground finely and spread in a thin batter upon the stone with the naked hand. It is as thin as a wafer, and these crisp, gauzy sheets, when cooked, are piled in layers and then folded or rolled. Light bread, which is made only at feast times, is baked in adobe ovens outside the house. When not in use for this purpose the ovens make convenient kennels for the dogs and play-houses for the children. Neatness is not one of the characteristics of the Zunyians. In the late autumn and winter months the women do little else than make bread, often in fanciful shapes, for the feasts and dances which continually occur. A sweet drink, not at all intoxicating, is made from the sprouted wheat. The men use tobacco, procured from white traders, in the form of cigarettes from corn-husks; but this is a luxury in which the women do not indulge.
"The Pueblo mills are among the most interesting things about the town. These mills, which are fastened to the floor a few feet from the wall, are rectangular in shape, and divided into a number of compartments, each about twenty inches wide and deep, the whole series ranging from five to ten feet in length, according to the number of divisions. The walls are made of sandstone. In each compartment a flat grinding stone is firmly set, inclining at an angle of forty-five degrees. These slabs are of different degrees of smoothness, graduated successively from coarse to fine. The squaws, who alone work at the mills, kneel before them and bend over them as a laundress does over the wash-tub, holding in their hands long stones of volcanic lava, which they rub up and down the slanting slabs, stopping at intervals to place the grain between the stones. As the grinding proceeds the grist is passed from one compartment to the next until, in passing through the series, it becomes of the desired fineness. This tedious and laborious method has been practiced without improvement from time immemorial, and in some of the arts the Zunyians have actually retrograded."
The living-rooms are about twelve by eighteen feet and about nine feet high, with plastered walls and an earthen floor, and usually a single window opening for light. To form a durable ceiling round timbers about six inches in diameter are placed three or four feet apart from the outer to the inner wall. Upon these, poles are placed transversely in juxtaposition. A deep covering of adobe mortar is placed upon them, forming the roof terrace in front, and the floor of the apartments above in the receding second story. Water-jars of their own manufacture, of fine workmanship, and holding several gallons, closely woven osier baskets of their own make, and blankets of cotton and wool, woven by their own hand-looms, are among the objects seen in these apartments. They are neatly kept, roomy and comfortable, and differ in no respect from those in use at the period of the conquest, as will elsewhere be shown. The mesa elevation upon which the old town of Zunyi was situated is seen in the background of the engraving, Fig. 23.
It should be noticed that this architecture, and the necessities that gave it birth, led to a change in the mode of life from the open ground to the terraces or flat roofs of these great houses. When not engaged in tillage, the terraces were the gathering and living places of the people. During the greater part of the year they lived practically in the open air, to which the climate was adapted, and upon their housetops, first for safety and afterwards from habit.
Elevations of the principal pueblos of New Mexico have from time to time been published. They agree in general plan, but show considerable diversity in details. Rude but massive structures, they accommodated all the people of the village in security within their walls.
The Moki Pueblos are supposed to be the towns of Tusayan, visited by a detachment of Coronado's expedition in 1541. Since the acquisition of New Mexico they have been rarely visited, because of their isolation and distance from American settlements.

Tuesday, May 1, 2012

The Seven Cities of Cevola


THE “SEVEN CITIES OF CEVOLA.”


In the New Mexican valley of the Chaco, one degree or more north of Zuni, are ruins of what some suppose to have been the famous “Seven Cities of Cevola.” In 1540, Spanish cupidity having been strongly incited by tales of the greatness and vast wealth of Cevola, Coronado, then governor of New Galicia, set out with an army to conquer and rob its cities. The report in which he tells the story of this conquest and of his disappointment is still in existence. The Cevolans defended themselves with arrows and spears, and hurled stones upon his army from the tops of their buildings. But resistance was of no avail; Cevola was conquered by Coronado, and immediately deserted by all its inhabitants who escaped death. The conquering buccaneer, however, did not find the treasures of gold and silver he expected. Three hundred and thirty years or more have passed away since this expedition of the Spanish marauders was undertaken, but the “Seven Cities of Cevola” (if they really were[ the “cities” whose remains are found in the Chaco Valley), although much dilapidated, are still sufficiently well preserved to show us what they were.
There are seven ruins in the Chaco Valley, all of the same age, from one to three miles apart, the whole line along which they are situated being not more than ten miles in extent. Coronado said of Cevola, “The seven cities are seven small towns, standing all within four leagues together;” and “all together they are called Cevola.” The Chaco ruins show that each of these “cities” was, Pueblo fashion, a single edifice of vast size, capable of accommodating from five hundred to three thousand people. They were all built of stone, around three sides of a square, the side opposite the main building being left open. Figure 23 represents one of these buildings restored, according to Lieutenant Simpson. Figure 24 is a ground plan of this structure. The outer faces of the walls were constructed with thin and regular blocks of sandstone; the inner surfaces were made of cobblestone laid in mortar, and the outer walls were three feet thick. They were four or five stories high, and the only entrances to them were “window openings” in the second story. Above the cañon inclosing the valley containing these ruins, at a distance of thirteen miles, are the remains of another “city” of precisely the same kind. Its walls are at present between twenty and thirty feet high, their foundations being deeply sunk into the earth. Lieutenant Simpson, who explored that region in 1849, says it was built of tabular pieces of hard, fine-grained, compact gray sandstone, none of the layers being more[


 than three inches thick. He adds, “It discovers in the masonry a combination of science and art which can only be referred to a higher stage of civilization and refinement than is discoverable in the work of Mexicans or Pueblos of the present day. Indeed, so beautifully diminutive and true are the details of the structure as to cause it at a little distance to have all the appearance of a magnificent piece of mosaic.”
Drawing of multi-story rectangular building complexFig. 23.—Pueblo Building, restored.
Plan of building complexFig. 24.—Ground Plan of Pueblo Building.
Other ruins have been examined in this northern part of the old Mexican territory, and more will be brought to light, for the whole region has not been carefully examined, and new discoveries are constantly reported.

Wednesday, December 7, 2011

Hopi Indians: American Indian Pictures

Hopi Indians: American Indian Pictures

Hopi Indian Snake Dance  Read More on the Hopi Snake Dance Here

Hopi Indian Dancers

Hopi Indian Snake Priest

Hopi Indian Boys

Hopi Indians Depicted on a Route 66  Postcard

Hopi Indian Harvest Dance

Hopi Indian Children

Hopi Indian Katchina Dolls

Hopi Indian Girl

Hopi Indian Farming

Hopi Indian Woman, Girl and Baby

Hopi Indian Pueblo

Hopi Woman Doing Daughters Hair

Hopi Indian Dancers

Hopi Indian Women Grinding Corn

Hopi Indians Photographed at Alcatraz Island

Hopi Indians Photographed with Albert Einstein

Hopi Indian Snake Dancers

American Indian Pictures of Hopi Indians